We offer an incredibly wide range of printing-related services and processes at Southside Print, so thought we’d publish a guide. It’s not an exhaustive list of everything we do, however it represents a good overview of the core print, design, binding, print finishing and direct mail services that are on offer from our London Bridge/Borough base. Take a look below.
As you can see, we can print and produce just about anything. There are many processes, finishes and embellishments to choose from, so your finished sales or marketing piece can be both fully functional and look as good as it possibly can. Whether you need
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When it comes to design, the choice of colour is incredibly important. A colour palette alone can make the difference between a design being attractive — or totally repellent. Even if the underlying styling and layout of any design is superb, its ultimate success can live or die on the colours used. That’s the same whether you’re talking about graphic design for sales and marketing literature, interior design, product design, or any other kind of design. However, the impact of colour goes way deeper than aesthetics, as we’ll see.
Selecting the best colour palette for your graphics
As with design itself, colour is a very subjective thing, so it’s always going to be impossible to please everyone. It’s important to try, though, because the colour palette you use in your design will have a striking affect on how well your sales or marketing piece is received by your target audience. For this reason, it’s well worth spending extra time on carefully considering your colour palette, well before your piece is published or printed. Some market research is also well worth doing, whether that’s full market research with the public or obtaining a rough gauge from others in your office and/or family. Editor’s note: as a qualified designer myself, my choice regarding some colours for printed graphics is still swayed by such feedback, even decades after it was first given.
Colour can literally change the viewer’s mood.
Feel & mood
Feel and mood are, by far, the most overriding sensations instilled in the viewer through the use of colour. Colour deeply affects the whole perception of your printed piece — it can lift the spirit, or repel it. It can catch the eye in a good way when you get it right, or a bad way when you don’t. Colours can excite the onlooker, or relax them. Colour can often literally change the viewer’s mood. When it comes to colour as a communication tool, it can shout your marketing messages or whisper them subconsciously. Colour can associate your product or service with quality if you want it to. It can help to incite a feeling of urgency, or get the audience to experience any number of other feelings. When you think about it, that’s an incredibly powerful tool for designers and marketers.
Colour is an incredibly powerful tool for designers and marketers.
Choosing your colour palette
A single design and layout can be used in different ways, with different effects, depending on which set of colour combinations are used in the overall colour palette. Graphic designers call those colour palettes ‘colourways’ and there are a few different ways that they can be chosen. As a designer myself, my favourite tips for choosing colourways are:
Find a photograph that you like in terms of colours, then sample those colours using the eye-dropper tool in Photoshop or similar (read on for free way to do this online if you don’t have Photoshop). It works very well when any photos in the printed piece share the same colours as surrounding graphics, ensuring that the entire marketing piece is colour-coordinated and attractive.
Another great tool for choosing colourway palettes is to look at the colour swatches on ColourLovers.com. The site shows thousands of different colour palettes that have been uploaded by the community over several years. It ranks colour palettes by popularity or by the number of times they have been saved as ‘favourites’ as well as having colour sections for different sectors (branding, websites, interiors etc). It also shows which colourways are trending at any given time. There are some useful tools there, for generating colour palettes and indeed the lavender colourway graphic in the main image above was generated by such a tool on the site.
Another, more obvious, way to choose a good colour palette for your design is to simply keep your eyes open, so you can spot, note or save good existing examples from others. This could mean keeping brochures and booklets that you have liked the colours, look and feel of, or bookmarking websites that have nice colourways etc. Most good designers will do this as a matter of course.
Pinterest is also a great tool for saving colourway examples, or finding them, and saving them into well-organised segmented areas.
One of the most widely used tools for the professional graphic designer is the tried-and-tested Pantone colour swatch book. There are various types available, including ‘spot colour’ swatches, ‘process’ printing colours (a.k.a. ‘CMYK’), pastels, metallics and lots more. Just like with paint charts for home DIY, they allow you to pick out colours and to compare them to each other side by side. Crucially, though, in the case of Pantone swatches, they allow you to specify the final choice of colours in your artwork in such a way that they will reproduce reliably i.e. exactly as envisaged on your final printed piece.
Check your artwork’s colour mode before you go to print
It should be noted that colours destined to be used for printing will need to be in ‘CMYK’ mode if printing digitally. For litho printing it can be CMYK mode or ‘spot’ colour, as appropriate. Avoid ‘RGB’ colour mode completely if you are going to have your sales or marketing piece commercially printed. See our Printing & Artwork Tips for further information or leave it all to us. Simply ask for a graphic design and/or artwork quotation — they’re free and without pressure or obligation, so there’s nothing to lose. As well as choosing attractive and appropriate colours and generating a great design for your printed job, we would be very happy to print it for you, of course.
https://www.southsideprintse1.london/wp-content/uploads/2020/07/Colourways.jpg6181302Mark at Pilothttps://www.southsideprintse1.london/wp-content/uploads/2018/05/SOUTHSIDE-Print.pngMark at Pilot2020-07-29 09:30:162020-07-29 09:38:44Why Careful Colour Consideration is Crucial for Design
If you’re involved in buying printing but are not a designer or printer yourself, you’ll probably have come across some printing jargon that, at some point, has left you a little confused. ‘CMYK’, ‘bleed’ and ‘outlining fonts’ are possible examples. Such terminology often crops up at the worst possible time too — in print quotes or just when you are in a hurry to finalise artwork. Fear not, though, as we’re here to help you make sense of it all. Here is our handy A to Z of common printing terms:
https://www.southsideprintse1.london/wp-content/uploads/2020/01/A-Z-of-printing-terms.jpg8101302Mark at Pilothttps://www.southsideprintse1.london/wp-content/uploads/2018/05/SOUTHSIDE-Print.pngMark at Pilot2020-01-29 16:56:272020-02-26 11:35:33An A-Z of Printing Terms
If you’re a charity based in London SE1, you could soon be in for an unexpected treat. As an alternative to sending Christmas cards and hampers this year, Southside Print is donating a total of £550 worth of printing services to SE1 charities via a December prize draw.
Win free printing!
Four lucky charities will split the winnings, with a top prize of £250 worth of printing going to one charity, with three other charities each receiving a voucher for printing worth £100. Charities need not be existing customers of Southside Print.
Prize Draw Rules
A few simple terms and conditions apply, the main caveats being:
No purchase is necessary;
Charities need to be based in London SE1, i.e. have an SE1 postcode in their published office address;
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Thermographic printing, or ‘thermo’ printing as it’s also known in the trade, is a useful technique to embellish your printing and make it stand out – figuratively as well as literally speaking to some degree. Here we’ll take a look at the process and how it can be used here at Southside Print in London SE1.
The thermo process
Thermography is, to some extent, more of ‘finishing’ process as it’s completed after the coloured inks have already been printed on the paper or card. While the inks are still wet, a thermographic powder is applied to the paper and it sticks to the wet ink. Any excess is quickly removed and then the dusted sheets are passed through a heating process. This melts the themographic powder into its final form. Once melted, set and cooled, it forms an attractive coating to just the printed parts of the sheet.
The effect of thermo printing
The new thermo coating is like a spot printed glossy varnish that actually has a thickness to it. This is why thermographically printed elements on the paper feel raised if you run your finger over them. While it’s not as crisp as embossing or UV varnishing, it is an interesting and slightly organic effect and one that is quite different to embossing in reality. As well as being raised, it makes the printed areas glossy, allowing the them to catch the light at certain angles. It’s also useful to note that thermo printing is a significantly cheaper alternative to spot UV varnishing.
Thermo printing is a significantly cheaper alternative to spot UV varnishing
Thermo printing is quite a well-established, traditional process but, when used well by talented graphic designers, can look incredibly attractive and contemporary. The thermographic powder/seal is transparent, so it lets the colour of the underlying printing ink show through. Because of that, it actually looks like the thermographically printing itself is coloured. So, for example, if your logo on a letterhead consists of black type for the company name and a big red square for the logo symbol, it’ll look like those two coloured elements are thermographically ‘printed’ and each of them will be glossy and slightly raised. Thermo printing also has a slightly organic feel about it as mentioned above, by which we mean that it has a slightly mottled, in-exact outer edge and the glossy ‘seal’ feels hard and glassy — almost jewel-like. This can really contrast well against the matt paper it is printed onto. Thermographic printing works well on anything from business cards, letterheads and invitations to Read more
https://www.southsideprintse1.london/wp-content/uploads/2019/11/Thermographic-printing-1.jpg6181302Mark at Pilothttps://www.southsideprintse1.london/wp-content/uploads/2018/05/SOUTHSIDE-Print.pngMark at Pilot2019-11-23 13:39:522019-11-27 12:50:43Thermographic Printing at Southside Print, London Bridge
WCS Digital has been around since 1985, supplying high quality printing and design to west central London individuals, businesses and organisations for almost 35 years. Southside Print owners Rob Phillips and Sarah Codd have now also taken on WCS Digital Print and aim to bring similar improvements and investments to the WC1 print works, following on from their successes and proven track record at Southside Print. These are likely to include snazzy new printing and finishing equipment as well as cutting edge software that’ll help track the progress of orders and make print quotes fast and incredibly simple.
Printing services in Clerkenwell, Farringdon & London WC1
Like here at Southside, WCS Digital Print is a litho printer, a digital printer, a large format printer and a copy shop. So, as well as offering high quality printing of just about anything, you can also go to WCS Digital for photocopying, document duplication and image/document scanning services. WCS also offers print management services, graphic design, brochure production, booklet making, document binding, bookbinding and direct mail solutions. Just like Southside, it’s a full design and print solution! More details of the Read more
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Have you ever seen a super-glossy brochure and wondered whether it’s gloss laminated … or perhaps gloss U.V. varnished? Even printing experts have trouble spotting the difference! To all intents and purposes, they look the same, but their production methods, costs and properties are very different.
Lamination is a process whereby a thin, transparent, plastic film is bonded, under pressure, to the surface of your printed paper or card. The plastic film can have a variety of finishes including high gloss, soft-touch and matt.
Gloss lamination adds an incredible shine to documents and tends to enrich printed colours, also giving photos a greater depth due to the extra contrast they lend them.
Matt lamination gives printed documents a lower contrast and, as such, tends to give them a contemporary, lighter appearance along with a high quality look and feel.
Soft-touch lamination is similar in appearance to matt lamination but has a softer, more tactile feel to the touch. Some describe it as velvety, others suggest that it’s perhaps even a little rubbery in feel … but in a good way!
Either way, once laminated, the printed sheets are cut and finished so that the edge of the printed sheet is an exact match to the edge of the bonded lamination, with no difference or overhang of either. Lamination can be applied to one side of the sheet, or both.
Lamination gives the printed job additional protection against wear and tear. In fact, one way to be sure that a printed document is laminated is to try to tear it. If it’s nigh on impossible to tear, chances are it’s laminated. Lamination also gives documents protection against moisture, simply due to the presence of the plastic film that’s bonded to the surface.
Lamination is suitable for even reasonably high quantities of printing because it’s a high speed, mostly automated process. It’s used for protection, to give printed documents a lovely finish and to give them a feeling of high quality.
Encapsulation is similar to lamination but the plastic film tends to be significantly thicker and is applied to both sides of the printed sheet. Uniquely with encapsulation, the plastic covering protrudes a few millimetres beyond the edge of the underlying printed sheet and indeed the plastic on the front and the plastic on the back bond to each other where they meet. This forms a tough ‘frame’ of thicker plastic around the edge of the printed sheet.
As with lamination, encapsulation protects the printed sheet from wear and tear and from moisture, however even more so than lamination due to the greater thickness of the plastic and the edges of the sheet also being protected by a double thickness of heat-bonded plastic.
Encapsulation is usually used for one-off or low quantity printing because it’s relatively expensive and time-consuming compared to lamination. It’s ideally suited to printed items that perhaps need to be displayed, manhandled regularly or used in environments that might otherwise lead to the printed item becoming dog-eared or spoiled by water ingress. Menus would be a good example.
U.V. varnish is almost always encountered in a high gloss finish. However, it is also available in matt finish although that’s rarely seen. To even a trained eye, an overall gloss U.V. varnish looks almost identical to gloss lamination, giving the printed document a high gloss sheen that enriches the saturation of printed colours and gives photographs a deeper contrast and ‘punch’. However, the U.V. varnishing process is remarkably different to that of lamination. Unlike with lamination, the gloss sheen is actually Read more
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Just up the road in Union Street SE1 is the headquarters of United St Saviour’s Charity (‘UStSC’), who recently commissioned Southside Print to produce two A5 landscape booklets. Both were printed in full colour on our digital presses here in Tabard Street. They were printed on 200gsm Lumi Silk paper, a high quality coated stock with a significant thickness to give the booklets substance and a feel of real quality. 100 were produced for one booklet and 500 for the other, suiting our digital printing service perfectly — those modest quantities simply would not have been economically viable using a traditional litho printing service.
The first booklet was a twelve page publication called “The Value of Small Grants”. It represented a review of the impact of grants issued in South London by both UStSC and Peter Minet Trust.
The second booklet was called “Where to look for grants and funding”. This was a guide to help groups in Southwark find funding for their local activities. The cover of each booklet can be seen above in the main image.
Southside Print also produced 1000 A5 leaflets, which promoted a community open day, along with some A4 leaflets (not shown).
About United St Saviour’s Charity, SE1
United St Saviour’s Charity is based in an attractive period building in Union Street SE1, just a short walk from London Bridge and Borough stations. They focus on uniting people and charitable organisations in north Southwark. Part of this includes the provision of two community grant programmes along with high quality sheltered housing for older people in the area.
Their open grant initiatives include the Community Investment Programme for large grants and the Community Engagement Programme for smaller grants. Both aim to strengthen communities in north Southwark, improve the lives of older residents in the area and level the playing field for those who may be experiencing social and economic disadvantage. North Southwark is very much ‘a tale of two Southwarks’ where one part of the population is benefiting from the recent growth and regeneration of the area while others simply struggle to make ends meet. In the last twelve months, the charity has invested £1 million into local projects and activities that are now helping to redress this imbalance.
The sheltered housing element of UStSC’s work takes the form of two schemes; St Saviour’s Court, which provides 53 modern homes in Purley, and Hopton Gardens Almshouses, which provide twenty flats and Grade II period cottages in Hopton Street, SE1. Both schemes include 24 hour support services for the residents. To be eligible, applicants need to have worked in Southwark for at least 3 years before application, they must be 65 or older, have low income and capital and be able to live independently with help from carers if necessary.
The charity is also planning a brand new modern almshouse in Southwark Park Road in Bermondsey. It is currently in preliminary talks with the developer Delancey and architects Witherford Watson Mann and their shared vision for the new building is one of stunning quality and beauty. As well as providing modern, independent sheltered housing for older residents with limited income, the aim is also to Read more
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A new football club, the Southwark Dynamos, recently reached out to Southside Print for a possible sponsorship deal. We were more than happy to help and are now proud to announce that Southside Print is the club’s official sponsor for the next two football seasons. Our contribution will help the new club with expenses for training equipment and football kit and our logo will feature on both home and away kits.
A notice on the club’s website made the announcement:
“We are delighted to welcome Southside Print as our Official club sponsor for 2018/ 2019 Football season. Thank you believing in our vision from everyone at the club.”
Caroline Nicholson, the Club Secretary of Southwark Dynamos Football Club, also said:
“Everyone at Southwark Dynamos Football Club is extremely delighted and welcomes Southside Print as our Official Sponsor.”
Southside Print’s Rob Phillips confirmed:
“We are delighted to take up the opportunity to become your title sponsor …. it’s great to be involved”.
The Southwark Dynamos
Southwark Dynamos is an exciting new football club based in Rotherhithe, Southwark, and has the London FA as their governing body. Currently, the club is preparing for the new football season in the South East London & Kent League. As the club says on its website, their aim is ‘to develop and train talented young footballers for tomorrow‘. They help young people take their skills to the next level, preparing them for top-level competitions which will see them playing in front of football professionals. Possible opportunities arising from that include scholarships and even semi-professional or professional football contracts.
The club is family run within the Southwark community and encourages young people – both male and female – to develop their football skills as well as to simply enjoy the sport. Training sessions help to build on skills, strength, agility and stamina as well as facilitating the fabulous opportunities mentioned above. Programs are also run with local schools and youth clubs and include summer football camps.
Staff are fully trained and vetted, with all the requisite safeguarding policies in place at the club. Indeed, all training certification is approved by the FA and other local football associations affiliated with the club.
The Southwark Dynamos train just two-and-a-half miles away from Southside Print at Bacons College Sports Ground in Timber Pond Road, London SE16 6AT (nearest railway station: Rotherhithe). Pre-training and development currently takes place every Saturday between 12 noon and 2pm and the next session is on Saturday 9 June at time of writing.
If you are under sixteen and an avid football player, the club is currently looking for additional players to strengthen its U16s squad ahead of the 2018/2019 football season. So, do get in touch with them if this if of interest. You can call them on 07760 955 978, email them or simply go to one of their Saturday training sessions. More details are available at www.southwarkdynamosfc.co.uk.
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Southside Print has recently had the honour of being the chosen London printer for a charity based just a few miles away; the Venice in Peril Fund. We printed the A4 flyers/postcards shown below, right, as well as some DL sized flyers, A5 flyers and stationery that included various business cards. The A5 postcards shown below were printed on 190gsm White Essential Offset card. This wood-free paper stock has a trendy, uncoated feel, offers great value for money and gives a superb printed result on our digital and litho printing presses. The DL flyers were printed on the same material and publicised some of the charity’s spring lectures last year.
The charity has also used Southside Print to print onto ‘Favini Alga Carta’, their very own recycled paper that was developed from algae, originally from the Venice lagoon but more recently from other marine sites. You can read more about this innovative paper, along with the incredible idea behind it, here.
About Venice in Peril
Anyone who has ever eaten a ‘Veneziana’ pizza at a Pizza Express restaurant will have already heard of the Venice in Peril Fund. A small discretionary donation, included with every Veneziana pizza order, has raised over £2 million for the charity since the partnership began in 1975.
The Venice in Peril Fund came into existence following the terrible floods of 1966, which severely damaged both Venice and Florence, Italy. Initially called the Art & Archives Rescue Fund (IAARF), the fund-raising activity for the Florence region had served its purpose by 1967, so the focus for fundraising was redirected solely towards Venice and the organisation was re-launched as The Venice in Peril Fund that we know today.
Venice in Peril has its UK headquarters just 7 miles West of Southside Print in Putney, London SW6. The registered charity has been in existence for over forty years, during which time it has raised millions of pounds, primarily for the conservation of buildings, monuments and works of art in Venice. The city remains under constant threat from the surrounding water, rising sea levels and pollution but the charity goes much further than helping to fight only those threats. Along with its conservation work, the Venice in Peril Fund pays for studies, events, education and advocacy for, and about, the region. In support of this work, Venice in Peril also promotes a deeper understanding of Venice – its complex history, the contribution it has made to world culture and the challenges it faces today – to encourage responsible and informed engagement with the city.
Spring Lecture in aid of the Venice in Peril Fund
On the 24th of April, the 12th Kirker Spring Lecture will be taking place at the Royal Geographical Society in London SW7. The lecture is by award-winning restaurateur, writer and broadcaster Russell Norman. Russell operates and co-founded several restaurants under the POLPO banner in London and elsewhere, has won several major awards for his books, presented a six-part prime-time documentary (The Restaurant Man) for BBC2 in 2014 and has been recognised by Debretts as one of the 500 most influential people in the UK. His lecture is entitled “The Food of Venice and the Lagoon: how its culinary traditions are as important as its people and its stones” and is being held in aid of the Venice in Peril Fund. Doors open at 6pm with a reception followed by the lecture itself at 7pm. Tickets are £20. More detail about the event, along with ticket purchases, is available here. You can also click the thumbnail image of the A5 postcard/flyer published for this lecture, shown on the right, for more information. The flyer is one of several marketing pieces printed for the charity by Southside Print in London SE1.
The Venice in Peril Fund is at 11 Hurlingham Studios, Ranelagh Gardens, London SW6 3PA and can be contacted on 020 7736 6891. Alternatively email or visit www.veniceinperil.org for more information. Those interested in becoming a member of the charity can also learn more or sign up here.
Printing Services in South and Central London
Southside Print has traditionally offered its litho, large format and digital printing services primarily in and around the London Bridge, Borough and South East (SE1) region of London. Now under new ownership, we’re beginning to extend our print and graphic design services to a wider South and Central London audience, including Victoria SW1, Clerkenwell EC1, The City and EC2/EC3/EC4/EC5 postcodes, amongst many others. Of course, we can supply printing and design services to anyone, anywhere (not just London), and this will be especially true in the near future when we introduce a full online ordering service to the website. You’ll soon be able to order and pay online, then Read more
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