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5 Star Reviews for Southside Print

5 Star Reviews for Southside Print, London Bridge, SE1

At Southside Print we have virtually a full suite of 5 Star reviews on Google for our printing and design services. A staggering 19 out of the 21 Google reviews that Southside Print has received are 5 star reviews. That’s the highest possible star rating for over 90% of all customer reviews — and we’ll be forever grateful to customers who went out of their way to leave such glowing reviews for us. Thank you to each and every one of them.

The highest possible rating in over 90% of customer reviews

Here’s what just some of our past customers have said on Google:

Thank you again to all of the above and the many others who left such positive feedback on Google for Southside Print.

Existing Customer? Please Write a Review

Southside Print SE1 would love your feedback. If you are an existing or previous customer of Southside Print and were happy with our service, please consider posting a review to our Google profile. Here’s how:

  1. Log into your Google account
  2. Go to https://g.page/r/Cctja4YTEM9bEAg/review
  3. Submit your review

Thank you.

We’re Printers in Borough/London Bridge, London SE1

Southside Print are printers in London Bridge, Borough and SE1 in South London, producing outstanding digital printing, large format printing, graphic design and artwork and online printing.

Pop-up Displays

Pop-up Displays

Curved pop-up display systems look incredibly impressive. They are a great way to showcase your brand and to get your sales or marketing message across, all in an instant. Despite their large size and powerful impact, they are surprisingly inexpensive.

Our pop-up display systems include printing of the graphics plus a counter that doubles as transportable storagePop-up display systems really are a perfect solution whether you need large display graphics at an exhibition, trade show, industry expo or for ad hoc appearances in places like shopping malls and business receptions.

A Huge Display Area for Your Graphics

Southside Print’s pop-up display systems are beautiful. They offer a huge expanse for your graphics on a curved display wall that stands unaided over several metres. They have attractive curved ends too, with continuous, edge-to-edge graphics for your marketing proposition. It’s a vast area to display your logo, strap-line, key marketing messages and any photos or graphics. With size options ranging from 3m x 2m right up to an incredible 3m x 5m, you really do have enormous scope to get your message across with maximum visual impact.

The printing of the display graphics is included in the price.

Our pop-up displays are quick and easy to assemble without the need for toolsFast to Assemble

The printed graphics are included along with everything you need for your display, all packed and ready to use inside the transportation case. When it’s needed, the entire display, including the counter (see section below), curved ‘wall’ and framework that holds it together all assemble in just a few minutes. So, in next to no time at all, your attractive and impressive display is ready to do its work. No special tools are required.

A Convenient Transportation & Storage Case is Included

Likewise, when your event is over, the entire thing packs down, just as easily, into the compact storage case. Despite packing a large punch in terms of size and marketing impact, pop-up display systems are extremely easy to store and to transport. The case has wheels integrated into its design and will easily fit inside a car. The robust case represents a perfect way to store and protect your large-scale graphics until the next time they’re needed.

The Display Counter is Also Included

At no extra cost, the storage case also doubles as an attractive display counter for use at your event. It can sit in front of, or alongside, your main display and perhaps form a focal point or place to talk with your prospects. A separate wrap-around graphic attaches seamlessly to the counter, giving you another display area to showcase your brand and key marketing messages. It also has beautifully curved sides to match the main display. The counter also features a robust, horizontal table top where you can perhaps stack brochures or other printed marketing materials for your prospects to take home.

Showcase Your Brand or Message in the Best Possible Light

Lights are included in our standard pop-up display pricing or are available separately, along with many other accessories, on request. Simply ask us about the various options and we’ll be happy to help.

Artwork Templates Available

Useful artwork templates are available online in both InDesign and Acrobat PDF formats. They’re available for all 4 pop-up display options:

  • H3m x W2m pop-up display with storage case/counter;
  • H3m x W3m pop-up display with storage case/counter;
  • H3m x W4m pop-up display with storage case/counter;
  • H3m x W5m pop-up display with storage case/counter.

So, if you’re supplying your own design and artwork, we even make that easier for you. On the other hand, if you need help with design and artwork we offer that as a service too; just contact us and one of our professional graphic designers can sort out a beautiful design for you.

Our Pop-up Displays are Surprisingly Inexpensive

You may be surprised to learn how little our pop-up banners cost. Despite their high quality, large size and huge impact, they start from just a few hundred pounds, so offer maximum bang for your buck. Our pricing includes printing of the graphics, the curved display unit, the counter that doubles as a storage/transport case and, at time of writing, free delivery in the UK. We’ll shortly be adding them to our new online print shop, so you can simply choose the most appropriate size for your event, download an artwork template and pay online — simple! Once you have supplied artwork, turnaround is surprisingly fast. We’ll update this post with a link to the product once the new online print shop is live. In the mean time, contact us for free printing quotes, queries, help with digital printing, graphic design/artwork, or anything else. Southside Print is a printer London Bridge and Borough, in London SE1.

Images are for illustrative purposes only.

Sustainable Printing for the Environmentally Conscious

Sustainable Printing for the Environmentally Conscious

If you are an environmentally conscious individual or represent a business or organisation that is, Southside Print can help by providing environmentally-friendly printing. More and more people are rightly concerned about the impact that their buying choices have on the environment. With temperatures and sea levels across the world rising, long-frozen ice caps melting and the world’s biodiversity under enormous threat, it’s becoming increasingly important to make good choices about where and how products and services are produced. Indeed, many companies and organisations across the globe now have sustainability policies in place to ensure that they are sourcing services and products only from environmentally-responsible, sustainable sources. That includes, of course, paper-based products and printing services. Well, at Southside Print, we supply sustainably-produced printed products for many environmentally aware clients including individuals, charities, green businesses, certified B Corporations (B Lab/B Corp) and so on. Our ‘green’ printing is perfect for anything from brochures, leaflets, annual reports and posters to large format printing, banners and letterheads — and much more.

Sustainable Printing at Southside Print

  • All paper used at Southside Print is FSC accredited (more about that below).
  • It’s also at least 20%-30% recycled.
  • Customers have a wide choice of sustainable papers, card and board to choose from, including 100% recycled options and even some eco-friendly paper stocks that contain no wood pulp at all.
  • We recycle all paper and card off-cuts, whenever it’s possible, throughout the year.
  • We use only the most energy-efficient printing and finishing machinery and technologies.
  • Our printing is fully digital, meaning we don’t use nasty chemicals in our print processes.
  • Even our website is hosted on green servers, which use energy from renewable sources and the most energy-efficient server technologies, resulting in minimal CO2 emissions.
  • When delivering finished print orders around London, we even use ‘green’ couriers whenever possible.

FSC Accreditation

We mentioned that all our paper is FSC accredited. This means that our papers, cards and boards are certified by the Forest Stewardship Council as containing wood or pulp from responsibly managed forests and/or from recycled post-consumer waste. That’s important to us and our many environmentally aware clients.

Paper — The Eco Facts

Some studies suggest that there are misconceptions, particularly amongst young adults, around sustainability in the printing and paper industry. The truth, however, is very positive and, indeed, the paper industry is one of the few that is genuinely and inherently sustainable.

“The paper industry is one of the few that is genuinely and inherently sustainable.”

  • Over 12½ million tonnes of paper are used in the UK every year. About 80% of that is recycled, which is incredible when you think about it.
  • About 57½ million tonnes of paper per year is recycled in Europe [2019 data], with up to 78% of it being recycled there.
  • European forests are actually growing rather than shrinking. In the last 15 years or so, they have grown by more than the equivalent of the land mass of Switzerland — that’s a growth rate of about 1,500 football pitches every day.
  • Paper can only be recycled 5 to 7 times before the fibres become unsuitable in the production of ‘new’ paper, so the role of new wood fibre/pulp from the FSC managed forests is essential.
  • The biggest use of wood from the world’s forests is for fuel (logs etc.) — that accounts for 50%. Meanwhile, 30% of timber is used in the manufacture of more industrial products like furniture or in construction. Only about 13% of the world’s wood is used in the manufacture of paper.
  • Printed paper products are one of the lowest greenhouse gas emitters in today’s world of electronic communications. In fact, they produce just a tiny fraction of what is produced by the ICT industry itself.
  • Over 60% of forests in the EU are FSC certified (or PEFC equivalent), with over 42% of Europe being covered by them. (PEFC is similar to the FSC, with both independently verifying that wood fibre used in paper production has been sourced from sustainably managed forests).
  • 71% of wood and 83% of pulp purchased in Europe for paper production is either FSC or PEFC accredited.

For more details about the incredible sustainability of paper and printed products, download an excellent 26 page report by the organisation Two Sides.

“From newspapers to magazines, from photocopies to leaflets, we believe Print and Paper cannot be beaten for attractiveness, impact and sustainability.”

Your Eco-friendly Printing Supplier

So if, like us, you believe that sustainable, eco-friendly choices are crucially important, then Southside Print can help with all your printing requirements. We’re a high quality printer in Borough, London SE1, near London Bridge, but we can supply anyone, anywhere. We care deeply for the environment and are keen to do everything we can to help others improve their ‘triple bottom line’ (social, environmental and financial) whilst also playing our own crucial part to help Planet Earth. Please do consider us if you would like to produce environmentally-friendly printing materials for your sales, marketing, corporate or private needs. Choose an appropriate button below to make contact and we’ll be happy to help.

Common Artwork Mistakes & How to Avoid Them

Common Artwork Mistakes & How to Avoid Them

At Southside Print we can either accept artwork files from customers, or produce artwork for them. Obviously, clients can save some money if they choose the former option and do their own design and artwork. However, if they’re not used to generating their own professional-grade artwork, common mistakes are easy to miss. These could lead to digital artwork files not working at all, unexpected printing results or, even worse, paid-for printing being totally unusable. For these reasons, we thought we’d highlight the most common artwork mistakes that we see, in the hope that they can be avoided by customers who supply their own artwork files to us.

1: Incorrect Colour Mode

Colour photos and graphics should be saved in CMYK mode not RGB.Most mobile phones and digital cameras save images in RGB mode. This mode is meant for screen viewing rather than commercial printing. If digital artwork is supplied with images in RGB mode, there’s a significant chance that they will not look as expected – potentially terrible – on the final printed results.

Solution: Before putting full colour images into artwork files, they should first be opened in an application like Photoshop and re-saved in CMYK mode. For the same reason, the final artwork file (usually saved as a print-ready PDF) should also be saved in CMYK mode when printing full colour images.

2: Inadequate Image Resolution

Have you ever looked at something printed, perhaps in a brochure, and spotted one or more images that look a bit fuzzy or, worse still, pixelated? Both are almost certain to be due to the images having inadequate resolution within the artwork files supplied. With resolution too low, images can appear ‘soft’ and lacking detail at best, or broken up into visible squares (the pixels) at worst.

Solution: Ensure that photographic images are at least 300 dots per inch (‘dpi’, also known as ‘pixels per inch’ or ‘ppi’) at the size they are going to be shown in the final printing. This can also be checked in professional image editing applications like Photoshop. It’s important to ensure that the final digital artwork file (again, usually provided as a print-ready PDF) is also saved with images set to 300dpi or, for particularly fine screen rulings, 350dpi minimum. If they’re well above that resolution, most applications can save the print-ready PDF in such a way that images with resolutions above, say, 450dpi are ‘downsampled’ to 300 or 350dpi. If downsampling is used, the Image Quality setting should be set to Maximum.

Related note: ‘Line artwork’ type images should either be saved as vectors (e.g. Illustrator ‘EPS’ format) or, if they’re ‘rasterised’ (pixel-based) images, save them at a minimum of 1200dpi to avoid jagged edges showing on areas like curves.

3: Using the Wrong Application for Professional Artwork

Applications like Microsoft Word, PowerPoint and even Corel Draw are fine for office use and for outputting to standard desktop printers. However, they’re not really seen as professional applications for use within the commercial printing industry. Attempting to use them as such may well simply not work, give unprofessional, substandard results, cause glitches in the case of Corel Draw, or require your commercial printer to re-make your artwork again from scratch (at significant cost in all likelihood).

Solution: Don’t attempt to use desktop applications like Word and PowerPoint nor, in our view, Corel Draw for use with high-end commercial printing. Instead, you should be using a professionally-recognised design and artwork application like Adobe InDesign. It is the de-facto design, page make-up and artwork application used in the design and print industry, having pretty much replaced older applications like Quark Express and PageMaker. It is usually used in tandem with images and graphics brought in from Adobe Photoshop and/or Adobe Illustrator, which are also both the de-facto professional applications for each of their respective fields.

4: Missing Out Bleed

Add 3mm bleed to elements extending to the paper's edgeIf your design and artwork has colours or images going right to the edge of the printed item, you shouldn’t just stop your artwork there because guillotining of the final printing is not usually accurate to tenths of a millimetre. Therefore, you could end up with white edges showing rather than your background colour or image going right up to and off the edge of the cut sheet.

Solution: Remember to add an extra 3mm of ‘bleed’ (an area that prints further than the edge of the sheet) to all artwork elements that you want to print to the edge. That way, if guillotining is not quite accurate, your colour or image will still print to the edge because you built in a 3mm margin of possible error.

5: Sitting Artwork in the Middle of a Larger Sheet

When producing finished artwork for, say, a business card, it might be tempting to produce it in the middle of an A4 sheet, because that’s the size of paper you might usually deal with on your computer. However, saving smaller artworks on larger paper sizes within digital artwork can end up costing you money and causing problems at printing stage. That’s because it’s terribly difficult, if not impossible, to get rid of the surrounding margin. That’s important when we want to use several duplicates of the business card on the uncut printing sheets, so as to get economies of scale and reduce paper/card waste.

Solution: Within your design and artwork application, ensure that your document size is set to the correct, final size that you want your printed piece to be, and no larger (apart from the additional 3mm of bleed if needed — see above). Also discuss whether you need to add ‘trim marks’ with your commercial printer as that requirement can vary from printer to printer.

6: Supplying Readers’ Spreads instead of Printers’ Spreads

Let’s take the example of an 8-page brochure for illustrative purposes. In that example, although page 2 will be next to page 3 from a reader’s point of view on the final brochure, that’s not how they’re actually printed. If you supply your artwork with double-page spreads set up in that way, pages will end up on the wrong order in the final printing.

Solution: In the 8-page brochure example, you have two choices. The first is to supply individual pages rather than spreads and then allow your printer to do what’s called ‘imposing’ them into the correct multi-page spreads from which to print. That’s the safest option if you’re not a professional designer or ‘finished artist’. For professionals, though, you can supply properly imposed ‘printer’s spreads’, for example with the front cover on the right next to the back cover on the left, page 2 printed opposite page 7, page 3 alongside page 5 and so on. Either way, once printed, trimmed and folded, the pages will end up in the correct order, so long as the imposing is done thoughtfully.

7: Using the Space Bar for Tabulated or Indented Content

If you hit the space bar multiple times to try to align indented content or columns of text or numbers, you will almost certainly end up with columns that don’t quite line up vertically in a straight line. That’s because most commercially printed fonts don’t use a ‘fixed width’ measurement for every character. So, one line of 30 characters (including spaces) will almost certainly end up a different length to another line of 30 different characters. Hence, columns will look misaligned and unprofessional.

Solution: Professional designers use properly set-up tabs to align their tabulated content, not the space bar. This ensures that tabulated content and indents line up perfectly. And what’s more, it’s easier than you think once you’ve tried it a few times — and saves time.

8: Ad-hoc Text Styles

Changing font styles, colours, sizes and weights on an ad-hoc basis as you work through your text content is more likely to end up with styling errors and inconsistencies. This can make a printed piece look amateurish.

Solution: Use your professional design and artwork package’s character and paragraph style palettes properly, i.e. pre-set a range of styles that you are likely to use and then apply one style to each title, sub-title, paragraph etc. as you work through your document. It’ll save you time and mean that styling is totally consistent throughout your final printed piece. What’s more, if you decide one particular type of content needs to be altered throughout the entire document, all you need to do is to change that particular pre-set style once in the palette — and the whole document will update itself.

9: Using Clip-Art

Clip-art from desktop applications is all very well for internally-produced ‘office’ type documents that are to be printed on desk-top printers. However, they often lead to unexpected printing results on commercial printers. That’s because clip-art formats like Windows Meta Files are not designed for such commercial use; they often cause glitches in the printing or crashes in commercial printing PostScript software. In essence, clip-art is simply not fit for commercial printing purposes.

Solution: There are 3 possible solutions. Firstly, you could avoid clip-art unless it’s professionally produced specifically for high-end commercial PostScript printing and comes in a file format like .ai or .eps (and is in CMYK mode). Secondly, you could consider generating the designed graphic yourself using a professional programme like Adobe Illustrator. Then export it to your InDesign document layout as an EPS file. Lastly, you could try to ‘rasterise’ any suitable image (for example, by opening it, or a PDF of it, in Photoshop) so that it essentially ends up as the equivalent of a photo, i.e. made up of pixels instead of clip-art vectors. N.B. don’t forget to check it’s in CMYK mode and at least 300dpi if going for a rasterised (non-vector) route.

10: Not Proof-Reading Thoroughly

Once printed, it’s too late to correct any errors that were missed in your design and artwork. And you’ll still have to pay for the original printing and any reprint needed.

Solution:It goes almost without saying that you should check, double-check and triple-check every job before sending it to your commercial printer. Maybe even get another person to check again for you. Spell checking and proof-reading are all part of the checking process, as are technical checks to ensure that images are in the correct mode, that resolution is sufficient, bleed has been added where required, and so on. Another recommended way to catch any errors is to get your commercial printer to supply a printed proof, which you should also carefully scrutinise for errors and technical issues before sanctioning the full print run.

11: Not Embedding or Outlining Fonts

Forgetting to either embed or outline (vectorise) fonts within your final artwork file can lead to unexpected font substitutions that could wreck the look of your final printed piece.

Solution: Save a version of your InDesign artwork file first with it’s ‘live’ (editable) text. Then select all text with the pointer tool and convert it to vectors (using the Create Outlines command under the Type menu) and re-save it with a new name. The reason for keeping two versions is in case you subsequently spot an error and need to go back to the original file version to correct the document. You can’t do that with outlined fonts as they’ve become vectors (shapes) rather than live letters, even though they look identical. One final tip is to then use the Type > Find Font command to ensure that you haven’t missed any fonts and that there are no live ones left. Then, once all other checks have been made and there are no longer any live fonts in the document, save your print-ready PDF.

Another option is to embed all fonts rather than outlining them. However, outlining them in the way described above is more reliable, particularly as some font licences occasionally stop you from being able to embed them.

Let us Produce Your Design & Artwork

Southside Print, printers in London Bridge & Borough, SE1One sure-fire way to avoid all the potential problems above is to let us do your design and artwork for you. It’ll save you many hours of work, if not days, and will look totally professional. In tandem with digital printing, large format printing, and eco-friendly printing, it’s what we do professionally, after all. We have our own in-house designers and finished artists, who know graphic design and printing services backwards, so it’s really no trouble. We’re competitively priced and printing quotations are free. So, if you are looking for professional, high quality design, artwork or printing in London Bridge and Borough in South East London (SE1), please get in touch here , ask for a free printing or design quotation here, or call 020 7378 6754. We’ll be happy to help.

Printing & Finishing Services for London

Printing & finishing services for London

We offer an incredibly wide range of printing-related services and processes at Southside Print, so thought we’d publish a guide. It’s not an exhaustive list of everything we do, however it represents a good overview of the core print, design, binding, print finishing and direct mail services that are on offer from our London Bridge/Borough base. Take a look below.

As you can see, we can print and produce just about anything. There are many processes, finishes and embellishments to choose from, so your finished sales or marketing piece can be both fully functional and look as good as it possibly can. Whether you need

BREAKING: Revolutionary New Anti-Bacterial Lamination

SafeLam - the revolutionary anti-virus lamination for printed items

Matt antimicrobial laminationIntroducing SafeLam – our antimicrobial lamination

Southside Print are pleased to announce ‘SafeLam’, our new, antimicrobial lamination for printed products. It’s just like standard lamination, except it kills bacteria and viruses on contact. This is obviously very timely and will be a massive boon to those who need printed sales, marketing or informational literature while coronavirus is still at large.

“SafeLam makes sharing printed documents safer”

Southside Print is committed to keeping staff and customers as safe as possible during these unprecedented times. As part of the fight against COVID-19, we have been working hard to find ways to make printed products as safe as possible in view of the pandemic. SafeLam’s antimicrobial coating does exactly that, killing 99% of bacteria and viruses that come into contact with it. It means printed products laminated with SafeLam proactively kill the coronavirus — and that’s a game-changer!

Gloss antimicrobial laminationSafeLam is an ideal safety coating:

  • The antimicrobial laminate is available in a matt or gloss finish.
  • It eliminates 99% of harmful microorganisms that come into contact with it.
  • It has the same, high quality finish as standard lamination.
  • Just like ordinary lamination, SafeLam looks great and protects documents from wear and tear as well as from moisture ingress.
  • No matter how many hands touch the surface, SafeLam’s surface retains its antimicrobial properties.
  • It’s independently tested and approved to ISO 22196, an international benchmark that recognises SafeLam’s antimicrobial properties (more about that below).

SafeLam makes printed documents safer

SafeLam is an ideal finish for printed documents, particularly those used in schools, hospitals, healthcare organisations, restaurants, bars & workplaces. For example, it makes brochures, school books, folders and medical documents much safer to handle and to share. It’s also incredibly useful as a protective, anti-virus coating for things like printed menus in bars and restaurants where multiple people will handle the same printed item. Here are just a few examples of printed items that are safer when laminated with SafeLam antimicrobial laminate — the possible applications are almost endless!

  • Brochures & booklets
  • Annual Reports
  • Medical documents
  • Documents for schools & uni’s
  • Business cards
  • Menus
  • Tent cards
  • Table talkers
  • Posters
  • Folders
  • Manuals & bound documents
  • Catalogues
  • Mailers
  • Postcards
  • Packaging
  • Point of sale graphics
  • Signage & display graphics
  • Exhibition graphics
  • Banners
  • Greetings cards
  • Calendar covers
  • … And much more.

About ISO 22196 accreditation

To quote ISO, the International Organisation for Standardisation:

“ISO 22196:2011 specifies a method of evaluating the antibacterial activity of antibacterial-treated plastics, and other non-porous, surfaces of products”

It’s accepted that the ISO 22196 accreditation confirms the ability of plastics to kill microorganisms and also to inhibit their growth over time. They therefore keep surfaces hygienically clean, safe and sanitary without the need to keep wiping the surfaces with agents and chemicals.

Antimicrobial means that it kills all microbes, including bacteria and viruses. That’s not only hygienic, but also incredibly important for people’s health and wellbeing while coronavirus and COVID-19 are still present within parts the population.

Interested? Get in touch

Please get in touch if you would like further information about this revolutionary new laminating solution. Call 020 7378 6754, contact us here, or use the enquiry form below to send us your enquiry. Southside Print are printers in Borough, near London Bridge, SE1.

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    If you'd like to upload one or more documents (e.g. a brief, artwork, PDF etc.) please click the 'browse' button(s) below:

    COVID-19 Safety Signs, Posters & Display Graphics for Workplaces

    COVID-19 safety signs, posters & display graphics for workplaces

    Printed Safety Graphics for Social Distancing etc.

    Does your business or organisation require social distancing signage and anti-virus safety graphics? If so, we can help! We produce a wide variety of COVID-related safety graphics that we can supply to you, so that you can keep your workplace and public areas safe. These include:

    • Social distancing wall posters.
    • Safety posters outlining best practices for hygiene and social distancing.
    • Circular floor vinyls including self-adhesive direction arrows and notices to help maintain 2m separation between visitors. Various sizes are available including 300mm, 400mm, 500mm and 600mm diameter options. Available in packs of 1, 5 or 10.
    • Rectangular floor vinyl graphics including ‘Please Wait Here’ floor strips and other similar messages. These are available in a variety of sizes including 500mm x 100mm, 750mm x 150mm, 1000mm x 200mm, 1250mm x 300mm and 1500mm x 300mm. Available in packs of 1, 5 or 10.
    • Pop-up banners for social distancing or to signpost one way pedestrian routes. These are 850mm x 2150mm (N.B. ask for artwork specifications as there is an additional section that rolls into the cartridge). The graphics are printed onto 400gsm anti-curl, anti-scuff, anti-glare material. A carry bag is included with each roller banner. Robust and compact when dismantled.
    • Vertical banners to signpost sanitising stations, places to queue and similar.

    It’s quite a wide range and all of these are available in a variety of colours (not all shown below). Take a look:

    The floor vinyls are printed on matt white 200mic film. They are certified slip resistant (R10) DIN 51130. Their dot shaped adhesive coat makes the material easy to handle and reposition if necessary. They are extremely easy to apply and no specialist skills are required.

    We’re Open for Visitors

    Southside Print is open for visitors at our Tabard Street print centre in London SE1. This is currently by appointment only, to keep everyone safe as the UK eases out of lock-down. Rest assured, we are implementing strict social distancing and anti-virus protocols at all times and ask visitors to follow suit.

    Request More Information

    Get in touch if you’d like further information on pricing, turnaround, any personalisation options etc. Call 020 7378 6754 or contact us using the enquiry form below and we’ll be happy to help.

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      If you'd like to upload one or more documents (e.g. a brief, artwork, PDF etc.) please click the 'browse' button(s) below:

      Variable Data Printing Service (London SE1)

      Variable data printing services in London SE1

      Using ‘variable data printing’ is a way of personalising sales and marketing literature to individual recipients. It’s a great marketing tool too. People are far more likely to notice a mailed flyer, for example, if it addresses them by name, right there in the colour printing, as part of the actual design. You may have received brochures personalised to you, perhaps. They may have mentioned your name here and there throughout, in colour. That is a sure-fire way for a sales or marketing piece to get noticed and taken more seriously. Receiving such tailored communications suggests an existing knowledge of the customer, as an individual. It also comes over as being highly professional and a bit more ‘grown up’ than the usual anonymous approach. It also lends the printed piece an element of gravitas, subconsciously saying ‘this is an important message to you‘.

      Personalised text

      Personalising the text of a brochure or mailshot to include the recipient’s name is an obvious example of variable data resulting in personalised printing. As well as a name, though, the person’s location could also be included for that extra personal touch. Or there could be mention of a previous purchase, a brand usually ordered, or anything else that’s relevant. This is all possible so long as it’s included within the database being supplied to your commercial printer. All of this extra personalisation can demonstrate a real knowledge of the customer within the sales piece, potentially becoming integral to the sales proposition as part of a strategic, well thought-out approach.

      Personalised images

      Variable Data printing doesn’t need to end with text though. It can also merge images, diagrams or illustrations into the printed piece. For example, a particular image can be printed in a printed document meant for one recipient, while a different image can be printed for someone else. For example, a mailer used to sell health supplements might include a featured image of something the customer has ordered before, now on special offer perhaps. If they’ve ordered before and are reminded of what they purchased, that’s certain to really catch their eye and generate additional repeat sales from the recipient. That’s just one example of how variable data printing can be used to personalise sales and marketing literature.

      How Variable Data printing is achieved

      This kind of document personalisation is all made possible using Read more

      Southside Print & Coronavirus (COVID-19)

      Southside Print Coronavirus (COVID-19) Update & Poster

      To confirm, we are ‘open for business here’ at Southside Print in London SE1, despite Coronavirus/COVID-19. We are fully operative for all services including graphic design, printing and production. Just let us know if you need any print and design produced and we’ll be very happy to help.

      “We are operating an uninterrupted service”

      It goes without saying, though, that we are taking extra precautions to help fight the spread of the virus. For example:

      • Staff have altered shifts so as to avoid travelling on public transport;
      • We’re avoiding all travel to other countries;
      • We’re avoiding physical contact, for example hand-shaking, and maintaining a sensible distance between ourselves and others;
      • We’re regularly washing hands – thoroughly with soap – as well as using anti-bac hand sanitiser;
      • We’re regularly hygienically cleaning our premises, in particular any well-used areas like door handles, keyboards, desks, etc;
      • We’ve published and displayed a Coronavirus & COVID-19 ‘best practice’ poster in the shop and at strategic points around the production areas. Copies are available for sale to anyone interested (follow the bold link above).
      • Any staff who are not directly involved in production are working from home, for example our back-office work, quotations, business administration using cloud-based systems and so on;
      • We hold meetings via phone contact, video calls, Skyping, iMessaging and conference calls;
      • We’re asking customers and prospects to liaise with us remotely.
      • We are sharing work between our two print and production sites in London, so are adaptable should one geographical location become more adversely affected than the other;
      • And, of course, we’re continuously monitoring the situation and are following Government guidelines.

      So, the message is that we are operating an uninterrupted service. Rest assured that quality and service levels remain excellent, as always.

      Coronavirus (COVID-19) posters available to buy online

      Coronavirus poster to buy onlineIn an effort to play our part in the fight against Coronavirus and COVID-19, we’ve originated some posters that individuals, companies and organisations can buy online. Outlining useful advice and best practice, they’re perfect for displaying on office walls, in receptions, in windows, on notice boards, in entrances to buildings and so on. That’s a great way to help keep staff, customers and visitors safe and should be a real help as part of Health & Safety (HS) in the workplace.

      The posters include very important information and guidelines including:

      • Likely symptoms of Coronavirus/COVID-19;
      • Countries at high risk (particularly useful for regular or recent travellers);
      • Advice for those who have symptoms or those who have recently travelled from ‘at risk’ countries;
      • Guidelines outlining how to limit the spread of the virus;
      • Illustrated instructions demonstrating best practice for both hand washing and hand sanitising.

      The posters are available to buy online. They are A3 in size and are gloss laminated, allowing the surface to be wiped clean. They cost £15 excluding VAT and postage. Most credit and debit cards are accepted, as well as PayPal.

      The latest information and advice on Coronavirus & COVID-19 is available at the NHS website.

      A Handy Guide to UK Paper Sizes

      A Handy Guide to UK Paper Sizes

      Paper sizes are something even seasoned print veterans find themselves looking up occasionally. While some paper sizes are used on a daily basis at printers and design studios, there are others that are only used a handful of times a year. Those tend to be the sizes most easily forgotten, so we’ve come up with this handy reference guide that can be referred to any time, 365 days of the year. Don’t forget to bookmark it!

      The following is not an exhaustive list of paper sizes, but it should cover the most commonly used sizes used by designers and printers around the UK. For the sake of brevity, we’ll leave out the more rarefied ‘legacy’ sizes that we simply tend not to encounter any more.

      ISO Paper Sizes:

      You may not have heard of ‘ISO’ paper sizes, but you will have used sizes like A4 and A3 perhaps on a weekly basis. A4, A3, A5, A2, B4 and B5 are probably the most easily recognisable examples of ISO ‘A’ and ISO ‘B’ paper sizes.

      ISO 'A' paper sizesISO sizes have several neat, and very handy, mathematical properties about them:

      • The ratio of their sides is always 1 to 1.414 (the square root of 2, by the way).
      • To mentally compute the dimensions from one ISO paper size to the next, you simply keep the longest side and double the shortest. So A4 (210mm x 297mm) becomes A3 (297mm x 420mm). We simply doubled the shortest side (210mm) to get that new 420mm dimension, but kept the existing 267mm dimension — easy!
      • Note that the physical paper size at each step up is DOUBLE the paper area. So A4 is half the size of A3 (fold A3 in half and you end up with A4 again). A3 is in turn half the physical size of A2 and so on.
      • You can alternatively enlarge to the next ISO size (e.g. from A4 to A3) by enlarging the original 1.414 times. So, on a photocopier, for example, you would set the magnification to 141.4%.
      • Most ingeniously, the ISO ‘A’ sizes are designed to allow printers to easily compute the weight of a printed stack of papers simply by counting the sheets. It’s based on the fact that the size A0 is exactly 1 square metre in area. So, if you know you have paper that’s, say, 150gsm in weight (paper is specified in grams per square metre; gsm), you know that a stack of one hundred A0 sheets will be 100 x 150gsm, which is 15000grams (i.e. 1.5kg in weight). If your stack happened to be A1, then you simply need to divide that by two (because, as we learned above, the next A size down is half the size). For A2 you halve it again and so on.

      ISO ‘A’ sizes:

      The ISO ‘A’ series of paper sizes is most widely used for printing and design in the UK; most people will use A4 paper, for example, on a daily basis. As we mentioned above, each ‘step’ down from one A size to the next is exactly half the size, as you can see in the diagram above/right. Here are the main A sizes:

      • A0 = 841mm x H1189mm
      • A1 = 594mm x 841mm
      • A2 = 420mm x 594mm
      • A3 = 297mm x 420mm
      • A4 = 210mm x 297mm
      • A5 = 148mm x 210mm
      • A6 = 105mm x 148mm
      • A7 = 74mm x 105mm
      • A8 = 52mm x 74mm
      • A9 = 37mm x 52mm

      If you want to go larger than A0, the next size up is called “2A0” (1189 x 1682mm). Use the maths trick above to go up from there to 3A0, 4A0 and beyond.

      ISO ‘B’ paper sizes:

      Exactly as with the ‘A’ sizes, each ‘B’ paper size can be Read more